Saturday, 24 October 2015

Gig time: Apocalyptica supported by Tracer

To be sitting in class until 5:30 prior to a gig seemed like a super bad idea. I wasn't about to skip the class, although it was tempting, yet my mind kept sending me images of an ever growing queue and I sat there in the knowledge that I was not going to be anywhere near the front this time - a.k.a. at the back because I actively avoid the centre at gigs but that's another story!

Thijs and I arrived about an hour before doors opened. There were some people lurking in the area but no real queue. When doors opened we had time to put our bags in the cloakroom and then stroll to the stage. Other than the V.I.P. ticket-holders we were at the front (in reality, this meant we were second row so that's all good). Can I just point out how different this is from the majority of UK shows?

In fact, there were quite a lot of differences compared to the U.K., in the end, although it'll take a few more gigs to work out how generalisable these are. I had my personal space for the entirety of the show except for one moment when a photographer accidentally tapped me with his camera... which suggests the calmness of the crowd is pretty normal because I would not dare take my proper camera to a rock/metal show for fear of, well, a dead camera. Interestingly, I got more squished, and my hair more tangled up, as we attempted to leave at the end.

Anyway, I digress from the show itself.

The warm up band was Australian rock band Tracer. I'd heard some of their stuff before but didn't know them all that well, Thijs hadn't heard them at all. It's pretty fair to say that, by the end of their set we were completely sold. We also met the band briefly after the show and they're delightful guys so an all round good mix. Apparently, they're coming back in the New Year so Thijs and I agreed we should go catch them again and if he pulls out he'll be in trouble ;-)

And Apocalyptica, well, they were awesome but what do you expect? I was lucky enough to see them with Maria a few months back, before they started playing with their new vocalist, Franky Perez. I only say "lucky" because it allowed me to fully appreciate the new dynamic not because I felt that the vocalist detracted at all. Franky is blooming brilliant. He has a great voice, something we knew from Shadowmaker, and is a wonderful live performer. I mean, it's clearly different to the full instrumental performances but it's a good kind of different.

Other than that, I guess the highlight of this show, for me, had to be Eicca's super, super quick string change. I mean, I know he had assistance but that string was on in a few seconds, under a minute, I'd say. I'm as impressed by that as by the music itself!!

I'm not going to spend too much longer writing about this show because, as always, I find it hard to put this kind of experience into words. However, I did book to go see them on the UK tour so I think that gives you some kind of idea as to how much I enjoyed it!


Not for facebook

Tuesday, 13 October 2015

"Just Popping to Germany"

Last weekend I ignored the many deadlines and exams looming and traveled to Essen to see Faun play one of their extra Luna tour shows. It was a bit of an irresponsible idea but, having missed them at Castlefest because of being stupid and ill, I decided it was worth it. My big exam was today and I didn't feel totally out of my depth so all's well that ends well, right? ;-)

Anyway, back to Essen.

I'm a very happy scrapbooker right now!

Actually, if I'm going to see show that's touring round Germany, I'll try to see it in Essen. It's a lovely little city in many ways. For me, it's great that most people don't speak a lot of English but are patient and really keen to successfully communicate so I get to practice my crappy German without feeling that I'm inconveniencing anyone. I suppose that comes from it not being too much of a tourist hub. It's also comfortable because I've found a nice, affordable hotel about a block away from the theatre.

And now comes the really, really hard bit, attempting to tell you about Faun's concert. Sometimes, well most of the time, it's difficult to find the words to describe a concert. Sure, I've learned to do it academically and, I'm sure if I thought about it, I could tell you a lot of little theatre/literature style analyses but that's not the soul of a performance. 

To cut a very long story short, it was amazing. To be honest, even now, a few days on, it's all still a bit of a blur! There are moments, naturally, that stand out. The memory of the opening, with sudden loud drums making my mother, and most of the audience, jump sky high, still makes me laugh, for example. And I don't think I'll be able to listen to "Walpurgisnacht" without hearing an over enthusiastic audience singing along!


DANKE ESSEN / THANK YOU ESSENVielen Dank wir hatten einen wunderbaren Samstag Abend mit Euch und auch die anschließende...


Faun are one of my favourite bands; every member is actually quite special, and thoroughly talented, which leads to an all round strength that you don't see in a lot of groups. Rüdiger's drum solo has to stand out though - I mean, it's amazing to hear what can be done by, effectively, 'just' hitting a bit of stretched material. I'm still not quite sure how it was possible! Add to the already wonderful mix a couple of marvelous guest musicians, Efrén López and Maya Fridman, and you have a wonderful musical company.

Something else that I really did like about the show was the way in which it combined theatrics, assisted by the mesmerising dancers Yulya Ayuna Kholeva and  Masha Shushera, with just 'pure' music. There were some songs that were big and all encompassing and then there were other times, like the small set after the interval, when acoustic style music was allowed to shine. This ebb and flow meant that the show was effective in every moment.

To be honest, I could go on in this rambling fashion for quite some time but that's no fun for anyone and doesn't do it justice either so I shall stop.

Something else more than worth mentioning is the signing table moment after the show. It saved me waiting around in the cold to get my scrapbook painting signed - something that is more appreciated than you will ever know. Oh, and it has to be said that the members of the band were even kinder than they are talented, and that's one of the biggest compliments that I could pay.




Friday, 2 October 2015

The Post in Which Havanah Gets Completely Overexcited About Visiting an Art Gallery . . .

Wednesday saw my art history class go to the Hermitage museum in the centre of town. This museum is a branch of the Russian museum of the same name. It isn't one of the state owned Dutch museums and it instead operates, I believe, completely privately. It means it's a bit pricier to get in (or free with a Museumkaart) but it is, I believe, completely and utterly worth it. We only visited the "Portrait Gallery of the Golden Age" but there is another exhibition on Napoleon and Josephine running which I would like to return and see. The layout of the exhibition, and the level of interactivity, has been so carefully thought through that it truly was a pleasure.

The museum's 'Selfie Area' allows people to be green screened into a group portrait type setting that includes photos of previous guests. My teacher (right of me) seemed to confuse the green screen somewhat ;-)


The main gallery is a large hall filled with group portraits which are most impressive. Grouped together like this it is quite overwhelming but in a brilliant way. At regular intervals there is a 'light show' which is linked the audio guide and takes you around key portraits in the room giving details about specific figures. In this sense, you experience something of the scale and magnificence of multiple images alongside one another but are assisted to appreciate the details held within single pieces. It's very cleverly done. Seriously, I rated both the collection and organization here well over the Rijksmuseum.

There's another floor of paintings that we rather rushed through although I don't think I'm alone in saying that most of us could have spent a lot longer looking around had time been on our side. This floor was a bit less about portraiture, although that's still the broad theme, and more about the history of the Netherlands, and Amsterdam in particular. In this sense, it was rather interesting for all of us, particularly us foreign students, as the exhibition gave a lot of really interesting information to contextualise the works, and the area in general. It wasn't overly crowded either which meant it was comfortable to wander through at your own pace and actually enjoy.

Yep, I will be going back here, undoubtedly!

A group photo of the class, taken in the gardens of the museum, seemed only fitting!