Showing posts with label Folk Noir. Show all posts
Showing posts with label Folk Noir. Show all posts

Sunday, 10 August 2014

Castlefest review: Friday

For introduction post and Thursday round-up click here

Friday

Friday was the first day of the festival itself. My mother and I got up early and walked towards the unknown (i.e. a shuttle bus) and waited. The queues of people waiting by Hillegom station must have been quite the sight! Although I would have liked to have camped, as planned, the atmosphere on these shuttle buses was lovely and we were also lucky enough to have drivers who felt like putting on music for most of the journeys... got to get into the mood, right?

The first act I was lucky enough to see was Lisa Cuthbert. I first got into Lisa's music last year when I accidentally ended up listening to a small part of her set and found it truly beautiful and rather haunting. She has the most stunning voice with true emotional qualities. Her subject matter, and songs, are stunning too. Her CD, Paramour, is a concept album centred around the theme of the Magdalene Laundries which were religious run institutions in Ireland in which fallen women lived in awful conditions. I won't go into her music too much at the moment but will probably review Paramour at some point and would urge you to get it because it's a wonderful album.

Lisa's set this year included several sections in which she played solo and also played with a new band. Despite the fact they have only been playing together since December, if my memory serves, they worked together really well. It's exciting to see the project growing and developing. That said, I'm pleased that the set still does contain some of the stripped back sound that I really did fall in love with.

The highlight of this set for me was hearing my favourite, Gartan Mothers Lullaby, played live. It's such a simple, bittersweet sounding piece that truly does show off Lisa's emotional and vocal range.

After the set (which was spent mostly hiding in the shade) I went over to the merchandise stand to see if I could get my scrapbook drawing signed. This was the first time of meeting Lisa, and also her drummer, and it really must be said that she was lovely. She spent a lot of time with everyone talking about her music, life in general, and really bothered to make everyone feel special. And she did sign my drawing so I was pleased with that too!

After that great start, my mother and I gravitated towards the Forest Stage where Shantalla were playing. Indeed, my mother was supposed to go and see them and not Lisa Cuthbert but, hearing Lisa's performance while 'dropping me off'  the mother decided she wanted to stay too. We were lucky that we managed to catch the end of Shantalla's set and therefore got the best of both worlds.

Shantalla are a band that I vaguely know, and know that they're good, but don't really listen to. I did, however, really enjoy the part of their set that I managed to catch! I think it's really worth commenting upon the lead singer, Helen Flaherty, who, not only has a lovely voice, but has a real joyous energy on stage and brought a lot to the overall atmosphere.

After a brief detour to catch a few minutes of The Moon and the Nightspirit (too many set clashes!) it was back to the Forest Stage for Folk Noir. Although I really do like Folk Noir, I'll be honest and say that I didn't really manage to see all of their set as I had to go and sit down part way through it. One year I will be healthy ;-)

The parts that I did see brought all that I expect from that group, beautiful music with a somewhat nostalgic tone along with a presentation that is professional but not too stiff. There's something great about seeing this group perform live in that it rather feels that you are watching a group of talented individuals jamming together rather than a polished performance. There's that kind of intimate feeling and, perhaps, that is what makes this group stand out.

I'm really looking forward to the prospect of a CD release from the current Folk Noir line up as opposed to the early EP which is wonderful but simply not enough! I don't know if there's one in the works but it was mentioned last year so fingers crossed!

We then moved to one of the other stages to sit in the shade and listen to the next band on our itinerary, La Horde. Now, if you know La Horde you will know that there is no way you want to sit down and listen to them because they are a real party band. I honestly don't know how to describe
them as a band, or their music, other than feel good crazy stuff. From the expected tunes, played in unexpected ways, to tunes you wouldn't really expect at this kind of festival (I like to move it, for example), their sets are fun and unusual! I know there was one set that was planned to be a pyjama party, complete with pillow fight, and also, I've heard, a 'wall of hugs'.

After a bit of a break (listening to Euzen from a distance, and also catching the very end of Rastaban's set) it was time for Scrum. Now, last year, I was really disappointed by Scrum's set. I really do like their music and felt that, surely, this was because the sound tech was messed up. That said, I wasn't expecting too much this time, just in case. However, Scrum did live up to my original high expectations this time (re-enforcing my idea that it was the tech not them causing problems before).

Scrum play a mixture of traditional celtic folk tunes, with a rocky twist, and original pieces in that style. This results in a high energy, high impact performance. This is another band that is really easy to connect with as an audience. Although their musical performance is of a high and polished quality, there is an openness about their stage presentation that makes them seem as though they've just jumped up there for a laugh as opposed to being serious professionals. To be honest, with this genre with all its earthiness, you need to have that kind of attitude on stage. They were also lovely guys and signed my scrapbook painting even though I believe it caused some confusion as people couldn't work out quite what it was!

After Scrum, it was time for The Dolmen who are a band from Weymouth. Despite the fact I lived just down the road from there until a few months back I have only managed to go to their shows in mainland Europe. If any of my English friends are reading this, go see them, okay?

This late night set was full of people who really wanted to dance and have a wonderful time and with The Dolmen's music it was an easy thing to do! Although I was alone for this set I was approached by a fair number of people either to chat or to dance so thank you to anyone who absorbed me into their groups for a time. I think this was one of the most fun and friendly crowds of the festival so, for me, it's one of my highlights for sure and a brilliant way to round off day one!



I have a lot more photos on my facebook page, and Saturday's review can be read here!

Thursday, 8 August 2013

Castlefest round up, 'new' house, and lack of internet

Tuesday, I returned from Castlefest to a house that is not suitable for human habitation. You’ll excuse me if I’m a little down about that. However, being someone who is generally optimistic, after an initial cry, I am looking forward to the future and am confident that I will get it sorted and will manage to regain some kind of normal life. While we’re on that note, I currently have no internet at home and therefore will only be able to access ‘things’ on my mobile or if I go to an internet cafĂ©. Incidentally, I also have no mobile phone pick up at home.

I do plan on tweeting as often as normal as this is done from my phone, and will use internet tethering to blog. Sky will be round on the 23rd to set us up for real internet and, until then, my internet presence will probably be limited to twitter, blogging, and maybe facebook messaging.

Anyway, back to the interesting bit, Castlefest. What a wonderful, wonderful time I have had at this festival. Wild horses will not be able to stop me from returning next year. There were some wonderful bands and some wonderful people. I’ll probably do some proper write-up of the individual things once I have facility to upload photos and not just test but until then special thanks go to:

Cesair for putting on some of the most singularly amazing shows I have seen. You should also buy their new CD because it is beautiful in sound and in appearance.
Faun for making my dream of seeing you live come true and for being as awesome as I had hoped.
Folk Noir (and Matt Howden) for putting on a wonderful performance, and for being utterly lovely people, chatting with me for quite a while after the show.
Zirp for getting everyone dancing!
The people who attended for dressing up, being friendly, and generally making the whole thing atmospheric.
The volunteers. In particular those on traffic control at the campsite who spent each night with my mother and I while we waited for her taxi. Their kindness, good conversation, hugs, and pine mead was greatly appreciated.

Sunday, 4 August 2013

Folk Noir and Sieben

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Folk Noir is a project of Oliver S. Tyr of Faun (remember that band from Friday?) and Kaat Geevers from L.E.A.F, who are also fantastic but not playing Castlefest (boo!). They are joined by Stephan Groth, who is also in Faun now, and by Alex Schulz and play a kind of thoughtful, nostalgic folk music. Oh, did I mention that they sing in English too? 

I've not managed to get hold of their CD yet, which is rather annoying, so I'm relying on youtube. I detest buying CDs from abroad because of bank charges and shipping but I might have to cave on this one if I can't find any other way of buying it.

Anyway, they have a relatively new music video. This is not my favourite song that I have heard them play yet I could rant on about how much I enjoy it for quite some time. I think that says something! What makes me like this one? Other than the fact it has really romantic lyrics which would sell anything to me, the train sound rhythm is something that really stands out. It's unusual and really quite a fun idea without detracting from the song itself. The simplicity of the video itself is exceptionally effective too.



I'll only put one other video from Folk Noir before moving onto Sieben. This one is probably my favourite recordings of theirs. The way in which Kaat and Oliver's voices harmonise and interact is stunning and rather haunting. The song starts about twenty seconds in and is truly... well.... wow.



Folk Noir are playing with Sieben as they have before. I can't say that I know Sieben but from some googling it seems that he is a gentleman by the name of Matt Howden who plays violin, sings and does some clever technical stuff. According to the ever reliable (yes, sarcasm) Wikipedia, he is also British and from Sheffield which is where my father's side is from. Ooh, maybe I should look into him a bit more hehe.

From what I have heard of his solo work, I like the music but really don't know what to categorise it as in my head. It's enjoyable but in a strange way. I can't help but appreciate the use of the violin too, as a string player myself. There's some talented, technical, but unusual playing going on.

This music video is from 2010, so it's a bit older than those by Folk Noir above. By the way, if you're a Doctor Who fan you might not want to watch this clip... too many statues... you have been warned!


If you're interested in Folk Noir then you can visit their website, facebook (which is where I kidnapped the picture from), or youtube. I've only found Sieben's website so far but oh well!