Showing posts with label Elisabeth. Show all posts
Showing posts with label Elisabeth. Show all posts

Wednesday, 13 November 2013

Gifts from afar

Okay, okay, Austria's not all that far but all the same when I received a parcel from 'Tascha, who happens to be a brilliant friend of mine, it was still pretty exciting.

'Tascha and I were last together about a year ago when I visited Austria for my eighteenth birthday. She did absolutely everything she could to make it special for me, and succeeded. I was pretty overwhelmed to learn she was sending my something for my birthday this year too and really excited to hear from her in a more personal way than online.

Today, I got my parcel with a beautiful handmade card (which is now sat on my newly tidied desk) and some gifts relating to my favourite things. This made me feel so special that someone thought not only to send me something for my birthday but that they thought through what I would like and, more importantly perhaps, took time and creative energy to make part of the gift for me. I am walking on air because I'm so happy right now.

Thank you Natascha!!

This was about the tenth attempt to photograph me in the hat she sent.
Mother wasn't happy with the others because they showed building work!

Monday, 4 November 2013

Youtube news!

About four years ago I first started to subtitle Elisabeth. It was about a week before my birthday and, having discovered the magic of this musical I decided I wanted to share it with my friends who were coming round to celebrate my birthday (although, of course, it wasn't finished in time). Thus I decided to use a dictionary to translate my favourite musical. 

As you may well know, I had never intended to upload 'Elisabeth' onto youtube but in early 2010 my computer got a virus and, so that I didn't loose my work completely with the death of the computer, I uploaded them onto youtube. The response was instant and more positive than I could have believed. I decided to continue to upload the videos, as I made them.

Suddenly the project of a fourteen year old became something bigger and had more influence on my life than I could ever have imagined.

In the end, my friends never watched 'Elisabeth' with me, but people from all around the globe have shared it with me. I have had some amazing conversations with people because of Elisabeth, met some amazing people and, most importantly, I met three of my closest friends (Helena, Aleks, and Natascha) as a direct result of the show. 

Not only this, but I realised something... languages weren't that inaccessible to me. Sure, I struggled with French like mad but German, well I was learning that by accident. Because of the translating I became more confident and continued my French studies, picked up Japanese, and will be studying German and Hungarian at university next year.

But why am I writing this now?

Today, almost exactly four years after I subtitled my first video, my youtube channel hit 1000 subscribers.

So this is a thank you blog, really. If you are reading this then it's probably because you've been looking at my subtitles in some form, at some point over the years. Your messages, your views, everything, has encouraged me in so many ways. Yes, every creative member of 'Elisabeth', 'Rebecca', and 'Marie Antoinette' has had an influence too but it's been you, the people who have supported me, who have changed my life and for that I thank you.


Tuesday, 23 July 2013

Fighting with Dutch

About a month ago I said that I was going to learn (some) Dutch in time for Castlefest. I had wanted to learn Dutch for quite some time and it seemed a great excuse to attempt it. Dutch also seemed possible to attempt as I'd been able to understand bits through my previous German and English knowledge, and with practice, I'd learned to understand even more.


The second part of a medley from '3 Musketiers', the first song in it being the 
first thing I ever heard in Dutch. See, musicals do really run my life.


However, when attempting to speak the language I quickly became disheartened. This is the worst thing that can happen with a language. I am a big believer in the fact that, if you want to learn a language because you love it then it will happen. If you don't love that language then you are going to be hitting your head against a brick wall.

My main problem came from the fact that the 'different' sounds in Dutch were sounds that I hadn't really encountered before and, learning alone, it's hard to work out if you are doing it right or even good enough. The main problem I had was with the 'g' sound, and I don't think I'm alone with this. I can listen to it a million times but, when trying to say it, I sound like either a furious cat or a slowly deflating balloon. Neither sound is particularly conducive to making friends in the language! 

It didn't take me too long to realise that I was probably just rushing myself. By using my trip as an excuse I had also given myself a deadline and this is not the way I work. The deadline made it even worse when I encountered an issue and made everything a lot harder. Suddenly, learning Dutch, something I had wanted to do, turned into a chore that I simply wanted to avoid. Whoops.

So now I'm going to focus on doing what I do best... I'm going to watch musicals (in Dutch) and maybe try and pick up some words. I'm going to re-find my enjoyment, keep going, and see what I can do.

On the bright side, it gives me an excuse to go to the Netherlands again next year to practice.


And because you can never have too much Pia in one post!
Mijn leven is van mij (Ich gehör nur mir), from Elisabeth.

Saturday, 13 July 2013

Names: to translate or not to translate?

Every now and then, translation can pose some problems. Do you translate something literally or change the literal meaning to get more of the implication and flavour? What do you do when there is an obvious rhythm, rhyme, plosive structure that matters but can’t be carried across into English? How do you translate it when someone has been playing with their words? What do you do with names?

Usually, when translating into English I choose to keep the original name. I think that most of the people who are reading my subtitles could work out that, Zsuzsanna, for example, is the Hungarian spelling of Susanna. However, even if this is not the case I think that everyone could learn that when I write Zsuzsanna I am referring to a certain character or person.

However, with the musicals that I translate there are sometimes some additional difficulties with characters being well known or having more unusual character names. Der Tod, for example, is often used by English speaking fans of the musical Elisabeth to refer to the character himself. In Japanese the character is actually called "トート", "Toto", which is derived from his German character name. However, I hardly think that Der Tod’s mother named him that when he was born, and somewhere he probably has a perfectly ordinary name (like Brian), so it’s probably good practice to translate this to Death, in the musical. It’s more a descriptive title than a name.

So what about historical characters? Franz Joseph, for example, seems to appear in most English history books, that I have seen, as Francis Joseph. How should this be written? Quite frankly, it really annoys me to see him referred to as Francis so my choice here was selfish rather than based purely on logic. That said, it’s probably right to keep it in the original German, which is sometimes used in English anyway, especially when Franz Joseph is the name that was used by the Emperor and in the musical. He’s also not the most famous ruler in history – I was a history student and most of my classes hadn’t heard of him - so people are less likely to need to know who he is to enjoy the musical anyway.

However, it’s not always that simple. If I were to ask you to tell me about King Ludwig XVI you are unlikely to be able to tell me much about the gentleman I’m referring to. If I were to ask you about King Louis XVI you will probably be able to tell me a bit more, especially if I also said he was the husband of Marie Antoinette. It seems sensible, therefore, for me to choose to translate Ludwig back to its original French and away from the German version used in the musical of Marie Antoinette. Marie Antoinette herself is known by her French name (which is bizarre considering that, as an Austrian by birth, Maria Antonia’s original name was German anyway) so I also feel there should be some continuity. All the same, I feel really bad deviating from my usual ‘use the name used in the play/musical/text’ resolution.


So here’s the question: Does the translation, or lack of translation, of names into English matter to you? Which do you prefer?

Louis or Ludwig, Marie Antoinette or Maria Antonia, and does it really matter?

Tuesday, 9 July 2013

Book Review: "The Reluctant Empress" by Brigitte Hamann


Rating: 5/5 stars

Blurb:
“Empress Elisabeth of Austria, known to her family as Sisi, belongs to a famous love story of European royalty. In 1853, the Emperor Franz Josef, the most eligible bachelor in Europe, fell in love with her at first sight when she was fifteen; they were married the next year. On the surface, it was a fairytale marriage, all the more poignant, with hindsight, because her death signalled the twilight years of the Habsburg Empire.

At the time of its first publication in 1988, Brigitte Hamann's biography, which tells Elisabeth's story from her birth as a member of the Bavarian nobility to her assassination at the hands of an Italian anarchist, led to a revised and deeper understanding of Elisabeth. During her lifetime she was idolised solely for her grace and beauty; now, for the first time, the Empress was portrayed as a stronger character, bitter at her marriage, seeking independence, and struggling against the powerful influence of her mother-in-law, the Archduchess Sophie. Researched by a respected historian, this is the definitive account of Elisabeth's life, death and legacy.”

Review:
There are some people in history, and indeed in modern life, whose stories beg to be told, and to be read. They led such interesting lives, had such trials and tribulations that their lives could almost be a work of fiction. Elisabeth, Sisi, is probably one of those people.

Married to an Emperor at a young age, famous for her beauty, notorious for her whims, it would be easy to turn Elisabeth into a real life Disney princess. Indeed, when Sisi’s own poetry, one of the only surviving sources into the Empress’ real mind, compares her world to mythology and fantasy it’s not easy to construct a ‘real’ view of the woman.

Brigitte Hamann attempts to do just this, however. I say “attempts” because I question how possible it is for any person to give a full account of another rather than because Hamann falls short. Indeed, Hamann is quite clearly a skilled historian and biographer, balancing sources from various people, times, and political leanings, combining this with Elisabeth’s own poetry to try and form a picture of the Empress’ life, how she preserved her life, and her mental state generally. Hamann herself does not romanticise the story and nor does she emphasise the tragedy of the Empress’ life but she does include quotes from those close to Elisabeth that do just that. Indeed, the inclusion of such quotes strengthen the biography greatly as they are often highly emotive and add a human aspect as well as helping to provide a more rounded view.

The structure of this book also worked well for me. It’s split into themed sections around different aspects of her life. These sections are arranged as to be vaguely chronological but this order is not strict by any stretch of the imagination. I do feel that the ‘sectioning’ approach works well as it means that one can get a deeper insight into themes within the Empress’ life without losing track. However, it is quite easy to get lost as to when things are happening which can lead to some confusion, if you’re not careful. This layout could also mean that there are possible difficulties in forming a causal view of Sisi’s life as one cannot easily look at it as a developing sequence of events. This is the only possible complaint I have of the novel, personally, and it is very minor.

As for the writing style itself, I read this book in the English translation by Ruth Hein. Although I haven’t read the original German (choosing to take the easy route for once!), and therefore am unable to compare for exact accuracy and for tone, it is clear that this is a fantastic translation. There are no awkward moments where language jars and there are no moments where it’s obvious that the concept has been lost between English and German, something that can often happen with translations. Hein’s translation is clear and enjoyable therefore I feel she deserves as much praise for the work as its original author!

Overall, I think that this biography could be enjoyed by almost anyone due to the unusual nature of Sisi’s life and temperament making it an interesting read even if one had no real prior interest in the Empress. This, combined with the easy to read style, makes it a highly accessible biography which can serve as an introduction to the woman or as a more in depth study, depending upon the reader’s interests and knowledge.



To buy a physical copy of this novel from the official ‘Sisi shop’, which is cheaper than elsewhere even with shipping, click here and for the kindle version on amazon here.